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Marina Molarsky-Beck

Art historian, curator, and writer based in New York and New Haven.

Currently at work on a dissertation on subjectivity and representation in interwar photography.

Publications

"Color" and "Movement," in Drawing: The Invention of a Modern Medium, edited by Ewa Lajer-Burcharth and Elizabeth M. Rudy, Cambridge: Harvard Art Museums, 2017.

Curatorial Projects

No Love Lost, co-curated with William Lee, September 7 - 30, 2018, SLEEPCENTER, New York

Drawing: The Invention of a Modern Medium, January 21, 2017 - May 7, 2017, Harvard Art Museums, Cambridge

Writing on Art

"Painting Here and Now: Salman Toor at the Whitney Museum of American Art," Texte zur Kunst, 2021.

Genevieve Goffman, Here Forever, Alyssa Davis Gallery, New York, 2020.

Suzanna "Suzie" Zak, Become a Landscape Ina Landscape, Yale School of Art, New Haven, CT, 2019.

"Museum Museum: From Marcel Broodthaers to Hito Steyerl," INSIDE / OUT: A MoMA/MoMA PS1 Blog, 2016.

"Exploring the Legacy of Marcel Broodthaers with Dominique Gonzalez-Foerster and Rodney Graham," INSIDE / OUT: A MoMA/MoMA PS1 Blog, 2016.

Talks & Appearances

Interview with Sam Shoemaker, David Roy, Peyton Peyton, and Efrat Lipkin. Yale Sculpture MFA 2020 in collaboration with M23 Projects NY.

Education

PhD student in History of Art, Yale University, New Haven, CT, 2018—.

A.B., Harvard University, Cambridge, MA, 2015. Magna cum laude with highest honors in History of Art & Architecture. French citation.

Thesis: "Making and Unmaking the Self: Berthe Morisot's Self-Portraiture."

Contact

Please feel free to get in touch with inquiries of any sort.